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Looted Art and the Art Market: Nazi Art Theft in Belgium, Europe, and Its Aftermath.

International Conference

Graphopresse, storage of paintings by Lucas Cranach and Robert Campin during World War II, Augustus 1939 at the Royal Museums of Fine Arts of Belgium, silvergelatin print, 12.9 x 17.9 cm, Photo collection Ruth and Peter Herzog, inv. no.: L0025_F9 © Collection by Jacques Herzog and Pierre de Meuron Kabinett, Basel, 2025

On 11-12 June 2026, the Royal Museums of Fine Art of Belgium will host an international conference entitled Looted Art and the Art Market: Nazi Art Theft in Belgium, Europe, and Its Aftermath. This conference is organized in the context of the Belgian federal research project ProvEnhance (Enhancing the provenance data of the collections of the Royal Museums of Fine Arts of Belgium (RMFAB) since 1933. Scientific study, digital valorisation and narrative in context), of which the Belgian State Archives/CegeSoma is a partner. 

Bringing together provenance research, art market studies, and data science, this conference aims to advance an interdisciplinary framework for analyzing the movements of cultural objects and their connections to actors, institutions and power structures shaped by the Nationalist Socialist era and its aftermath.

The programme of the conference and all further practical information to attend the conference can be found here.